Ape Out – Going Bananas

This past week I sat down and played Ape Out, a game I had been wanting to play since it was released this past February. I absolutely love playing this game! It’s a vivid, violent, rhythmic smash ’em up that plays like something you could have found years ago in the local arcade but with a 70’s acid jazz kind of vibe to it. A game showcasing video games as an art form. From the second you break out of your cage and begin obliterating the guards watching over you, I knew I was in for an interesting ride.

The objective in Ape Out is simple: make your way from Point A to Point B. The gameplay and controls are simple, but extremely satisfying as you control an APE trying to ESCAPE(NOT to be confused with a PS1 title involving primates 😉 ) from his cage and make your way through the procedurally-generated levels, returning to the wild. As stated, the controls are simple: run, punch, and grab. You are vastly outnumbered by armed guards trying to take you down, and to survive you will need to make an instant decision of simply running past an unsuspecting guard or splattering against the wall. You are able to grab the guards and doors in your way and forcefully propel them at other surrounding enemies; this can also be a critical decision as quickly grabbing an enemy and using them to shield yourself from the barrage of bullets before hurling them at an enemy as if they are being shot out of a cannon…you can even pick up the limbs of the obliterated enemies and throw them at others…I enjoyed this greatly(NOT psycho) 😀

Ape Out is similar to Hotline Miami: utilizing a top-down camera angle, over-the-top stylized violence, and an explosion of colors. In Ape Out however, the top-down camera has been zoomed in, adding an increased sense of caution as you never know who is just around the next corner. There is also an absence of neon lighting and DeLoreans in Ape Out…

The sound design and visuals of this game are one of the more unique characteristics of the game; kind of a Miles Davis 1970’s jazz pastiche that I absolutely freaking love! The graphics are slightly grainy with a warmth around the edges of the characters and objects that exude a visual equivalent of the sound of a vinyl record being played. The colors in the game range from dark, smoky hues of black and gray contrasted by bright bold shades of red or orange. The dynamic contrast in colors is really brought out when you slam a guard into a nearby wall or post and the resulting blood red explosion is a bit like watching fireworks in the night sky. Other levels also shroud the environment in black that is disrupted by only the guards’ flashlights and a few dashes of purple around the level. The entire 3rd album( the game consists of four “albums” which contain eight levels each) – Fugue is washed in a completely crimson and orange backdrop that finds you trying to find your way across a desolate wasteland resembling a napalm-devastated Vietnam battleground. I haven’t even mentioned the music yet…the music in Ape Out is phenomenal! Each level or ALBUM rather, is set to a riveting drum solo whose rhythm mirrors yours as you progress through the level and even accents your very movements. You running down an empty hallway is accompanied by a steady snare drum roll while every time you pummel an enemy the music will add a cymbal crash, along with anytime you break through a wall; this adds a very stylish rhythmic element to the gameplay that is an absolute blast to play.

There are four main “albums” to play through in the game – Subject 4, High Rise, Fugue, Adrift – with four levels making up Side A and Side B respectively. Subject 4 begins kicks off your quest for freedom by escaping from research facility with the first couple levels serving as a tutorial of sorts as you get adjusted to moving around as a gigantic primate. High Rise takes place in a 32-story office building; making your way from stairwell to stairwell through a labyrinth of closets and cubicles before making a mad dash to the exit from the crowded lobby at the bottom. Fugue is a bit more difficult as the “album cover” would imply with a picture of a lit match – fire and lots of it. You cross what appears to be shipping warehouses full of oil drums that if anything OR anyone is driven into them with the force of an angry gorilla it will cause them to burst into a giant ball of flames; a new enemy brandishing a flamethrower pack is also introduced at this time. Fugue is probably the most memorable( and most difficult) level as the latter half( Side B) takes place outdoors in a scorched area surrounded by wire fence while firebombs are being dropped from the sky. The orange and red colors of the levels along with the stark snare drum march seemed to be a bit of an allusion to the Vietnam War. I couldn’t help but think of Lt. Kilgore of Apocalypse Now during this – “I love the smell of napalm in the morning…” The final album – Adrift takes place on a freight tanker on the open seas where you navigate your way through around the levels of the tanker before finally making your way to freedom.

After clearing each of the four albums you can choose the option to now play the game on Harder difficulty; there is also Arcade Mode where you can try to rack up the highest score possible while clearing the levels in the least amount of time and deaths. I enjoyed this game so much that once I cleared the albums I turned around and started the play through them again, this time striving for shorter completion time and fewer deaths. There are no exact same runs through the levels, as the paths through the maze-like levels as well as enemy placement are all procedurally-generated; you thought that same enemy with the explosives was just around the corner only to find out THIS time it’s several enemies with shotguns or none at all…at least until you round the next corner. Every time you take a hit, you will leave a trail of blood behind you for the guards to follow; after three hits you’re dead and will have to start the level over again.

Every time you die, the camera zooms out to show your path taken and progress made through the level.

Violence, jazz, and apes….awesome, right? Ape Out is available on PC and Switch and is a fantastic game that I very highly recommend to anyone looking for something a little bit different to play. Finally…justice for Harambe! 😀

What games have you been playing recently or what games are you most looking forward to hearing about at E3 this week? I plan on putting up another post with my thoughts about all the upcoming announcements after E3.

Keep on playing…

Coffee Crisis – A Caffeinated Blast of Retro Gaming

I thought it would be interesting this weekend to pick up a random indie game on my Switch without knowing really anything about it and write my thoughts about it. In looking through the Switch Online Store, which I believe could use a bit more organization as it seems daunting to look through page after page of titles without there being much for filter options…but I digress. I found the game Coffee Crisis which was developed by Mega Cat Studios and published by Qubic Games. The game appeared to be a bit of a retro throwback to all the 16-bit side scrolling beat-em-up games that I played as a kid on the Sega Genesis or Super Nintendo. It also happens to involve metal music, retro games, and as the title would suggest….coffee.

I have fond memories of playing beat-em-ups like the Streets of Rage, Final Fight, and Golden Axe games; everything about this game fits right in with these games. I enjoyed the aspect of playing a game so reminiscent of the previously mentioned early-90’s titles. Mega Cat Studios I discovered, even produced an authentic Homebrew version of the game on cartridge with case and manual to play on Sega Mega Drive/Genesis that you can purchase on their website.

The story is set on Smurglians – a race of aliens who’s entire planet runs on the energy generated from coffee, metal music and WiFi( that’s right!) and have set their sights on planet Earth’s most precious resources. You play as either Nick or Ashley, two metalhead baristas at the Black Forge Coffee House who are not going to sit idly by and let this travesty occur as you fight your way through the streets of downtown Pittsburgh.

Walloping the elderly to save the metal…

The gameplay is pretty standard as far as beat-em-ups go; you progress through multiple levels with the occasional mini-boss appearing every several levels until finally making your way to the boss at the end of the game, which I was mildly disappointed in the abrupt not-quite-an-ending of the game, it more or less just….stops. The length of the game overall I was satisfied with, being roughly the same length as others of the genre. My criticisms of the game are pretty mild, as I any drawbacks to the game are the same that you would hear of games like Streets of Rage. For better or worse, Coffee Crisis is authentic to a fault with negative attributes that are commonplace in games like it. You screen position is difficult to keep track of when multiple enemies attack and you get “Caught In A Mosh”( couldn’t resist!). There is also the annoying abundance of enemies who can shoot projectiles at you or simply have “weapons” such as a lasso or a cane…yes, among the enemies you fight off are humans that have been taken control of by the Smurglians. These can be range from random looking “dude bros”, to western looking…uh…cowgirls, to I guess….the elderly? You fight your way through the streets of Pittsburgh drinking coffee, listening to metal, and pummeling old men and women that attack you with canes and walkers. There is also an array of Smurglians to fight from purple aliens sporting mohawks to tuxedo-clad aliens in wheelchairs who can shoot “mental projectiles” at you ( Professor X as a Smurglian). The game in premise alone is not any danger of taking itself seriously, I ALMOST felt like I shouldn’t have been enjoyed this developing chaos as much as I did. My other critique is also all too common in games such as this where, you have a powerful special move at your disposal HOWERVER, using it costs you a small portion of your health. The game is not an easy game, as it was clearly intended to be played in “couch co-op” with another player alongside you.

I still feel these negatives don’t overly hinder any enjoyment to be had playing Coffee Crisis, I had a blast playing this game. The soundtrack to the game is excellent as well, with tracks being provided by Pittsburgh area metal band Greywolf. There is also a couple small cameos from retro-gaming YouTubers Metal Jesus Rocks and Alpha Omega Sin. Mega Cat Studios clearly shows a lot of love for the 16-bit beat-em-ups of yesteryear and I very heartily recommend to anyone looking for an entertaining indie game to play, it’s got coffee, retro games, and metal, hell yeah!

I thought these dudes looked familiar….

Side Note: Coffee Crisis is currently available for LESS than the price of a coffee house brew at $1.99, a GREAT DEAL until May 27th. https://www.nintendo.com/games/detail/coffee-crisis-switch/

For anyone else who would like to purchase a physical cartridge version to play on Sega… https://megacatstudios.com/collections/16-bit/products/coffee-crisis-sega-genesis

Keep on playing…